Ohad Matalon’s exhibition is an ongoing process that evolves, changes and develops in the
viewers’ presence throughout its running, with works being created and accumulated, revealing
the processes between the act of photography and printing, framing and installing the exhibited
objects. The workspace and exhibition space are assimilated into each other, with their
conventional hierarchy cancelled. The exhibition’s dynamic character raises a constant discourse
that refuses concrete definitions of theme, editing, presentation and interpretation.