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Photo Op Photo Op

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Product, Production, and the Plastic Proletariat: What Is the Photographic Opportunity?

16.01.2015
Product, Production, and the Plastic Proletariat: What Is the Photographic Opportunity?

“A child being beaten” (Freud’s “Ein Kind wird” Geschlagen”) is the ultimate phantasy of
photography. The light beats the emulsion, leaves ,its marks on it—but these are non-penetrating
non-piercing marks.

by Yoel Regev

The Blue of the Sky: Scorching, Burning, Baking

09.01.2015
The Blue of the Sky: Scorching, Burning, Baking

“Sky of blue—frame of the universe,” wrote
the Hebrew poet Shaul Tchernichovsky. For Bataille, “the blue of the sky” (le bleu du ciel) was synonymous with the “empty sky,”

by Pioter Shmugliakov

“Photo Op”: Exhibition as a Medium

02.01.2015
“Photo Op”: Exhibition as a Medium

“An exhibition in a museum is typically a conventional frame for exhibiting artworks in a certain space for a certain period of time. Its role is to provide the optimal conditions for exposing the works it presents while remaining—justlike a picture’s actual frame—external to their artistic contents.”

by Pioter Shmugliakov

Is this Photography?

19.12.2014
Is this Photography?

“I would prefer to term this procedure a meta- mediumal move, which exposes the truth about one medium through another. One could say that while other works in the exhibition are “essential photographs” of various photographic elements, here we are presented with an “essential sculpture” of the essence of photography.”

by Pioter Shmugliakov

Light — Developer — Semen

11.12.2014
Light — Developer — Semen

“An abstract image originating from developer fluid splashed directly onto photographic.
paper turns out to be a complex set of motifs.”

by Pioter Shmugliakov

Photographic paper

07.12.2014
Photographic paper

“A sheet of photographic paper is probably the best candidate for the honorary role of the (empty) canvas of photography. Alight-sensitive surface is the necessary substrate of the photographic image as analog photography understands it. ”

by Pioter Shmugliakov

Sealing and wasting

30.11.2014
Sealing and wasting

“The exhibition “Photo Op” opened on 13 November, at 8 p.m., with empty walls
During that evening, two photographs were printed and framed in “work spaces” within
the gallery, in the audience’s presence; they were later sealed under black Perspex and
hung alongside each other on one of the..”

by Pioter Shmugliakov

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